从手风琴演奏的心理活动谈音乐表现
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毕业论文 |
内 容 提 要
手风琴演奏过程是一个审美过程。音乐是流动的,它作用于人的听觉使欣赏者感知、获得听觉意象,进而通过联想,并向音乐以外的生存领域扩展,使人的心灵与音乐沟通。而诗意的想象则赋予意象以神韵,把音乐所表现的一切,联结为一个富于生命力和谐的音乐审美境界。手风琴演奏过程中，离不开心理活动的参与。手风琴演奏的最终目的在于表现音乐。手风琴演奏者的音乐表现及其心理活动有着密切的内在联系。本文写作的目的是从音乐表演心理入手，分析手风琴演奏过程中的心理活动与音乐表现的关系，从而提高音乐表现力。
本文第一章提出了手风琴演奏中的心理活动即感知，情感体验，情感表现在音乐表现的重要性、影响。第二章探讨了心理活动与音乐表现的关系，在分析的基础上指出意向是理解音乐的关键，想象是表现音乐的桥梁。第三章主要谈手风琴演奏中个性化音乐表现。指出心理感受是一切音乐表现的基础，及手风琴演奏中个性发挥应具有的特征。
关键词：手风琴演奏、音乐表现、理解、意象、情感、想象
Abstract
The process of playing the accordion is a process of aesthetic enjoyment. Music is floating. It takes effect upon people’s hearing and helps them to perceive and acquire auditory images and even to communicate with music by extending such images to a more extensive space with associative thinking. And poetic imagination can endow images with verve and join all the music factors into an animated harmonious compass of aesthetics. Accordion playing, whose ultimate aim is to express the music, can not go without the participation of the player’s mental activities. The player’s music expression and mental activities have a close intrinsic relationship. The purpose of this article is to analyze the relationship between music expression and the mental activities with the notion of the music expression mentality, in order to enhance the music expressive force.
